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Julian Cannonball Adderley

The Great African-American Classical Art-Form

Cannonball, Harlem 1963

"Hipness is not a state of mind. It's a fact of life. You don't decide you're hip. It just happens that way. You get a lot of people who are SUPPOSED to be hip. And they walk around like they're SUPPOSED to be hip." Julian Cannonball Adderley. #HighArt

Ralph Gleason's Jazz Casual TV Show (UK) featured numerous Jazz artist to include The Julian Cannonball Adderley Quintet. Although this episode is an abbreviated version it portrays the essence of both Host and Artist.

The graphics and titling are mine so to ID the musicians, songs and composers as well as cover up previous graphics from a Public Access Show from which this footage came from. In keeping with professional courtesy I have to acknowledge Ralph Gleason and the Jazz Casual as well as "BOFFO!" for supplying this footage and The Julian Cannonball Adderley Quintet for the performance.

Cannonball Adderley Sextet-Live in Switzerland & Germany 1963

Live in Switzerland 1963 00:11-08:27 Jessica's Birthday 08:52-19:21 Angel Eyes (Yusef Lateef on Flute) 19:33-30:08 Jive Samba 30:28-38:00 Bohemia After Dark 38:14-45:15 Dizzy's Business 45:21-57:56 Trouble In Mind (Yusef Lateef on Oboe) 58:10-01:06:05 Work Song 01:06:22-01:11:23 Unit 7 Live in Germany 1963 01:11:38-01:17:39 Jessica's Birthday 01:18:50-01:28:36 Brother John (Yusef Lateef on Oboe) 01:28:41-01:38:42 Jive Samba Band: Julian "Cannonball" Adderley (Alto Sax)

Nat Adderley (Cornet) Yusef Lateef (Tenor Sax, Flute, Oboe) Joe Zawinul (Piano) Sam Jones (Bass) Louis Hayes (Drums)

Rashid Booker

The Jazz Aficionado

From The School of Hard-Bop

Cannonball, "He had a certain spirit. You couldn't put your finger on it, but it was there in his playing every night."

--Miles Davis.

The African-American Classical Art-Form Playlist

Art music "so-called Jazz" exits for the fulfillment of the artist, regardless of public acceptance. Usually the music is of a more complex structure and is open to individual interpretation by the listener. ~ Rashid "The Jazz Aficionado" Booker, Keeping the Idiom Alive

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